Canada has a long tradition of singer-songwriters and that’s partly in thanks to its own “folksong laureate”, Gordon Lightfoot. Coming out of the Toronto 60s folk music scene, Lightfoot’s native country would become his lifelong muse, penning such classics as ‘Canadian Railroad Trilogy’ and ‘Wreck of the Edmund Fitzgerald’ and yet universal enough to appeal worldwide, turning him into Canada’s most successful contemporary folk artist. A beloved cultural icon, he’s been the beneficiary of countless awards and honours including the Companion of the Order of Canada – Canada’s highest civilian honour.
Regional Mexican is Mexico's version of country music. It includes a number of different subgenres, depending on where they originated, and in what regions they are popular. One specific song style, the ranchera, found its origins in the Mexican countryside and was first popularized with mariachi, and has since also become popular with banda, norteño, Duranguense and other regional Mexican styles. The corrido, a different song style with a similar history, is also performed in many different regional styles. Other song styles performed in regional Mexican music include ballads, cumbias, boleros, among others. American country music is also popular in Mexico, but most prominently in the northern regions of the country, where a number of artists perform the genre while singing in Spanish. Tejano (also known as "tex-mex" in English) is popular in Spanish-speaking areas of the United States, particularly in and near Texas, and in northeastern areas of Mexico.
While some might argue that Twitty didn’t change the rules of the format like a Haggard or Jones, his influence on the format can’t be understated. From 1968 until his passing in 1993, Twitty charted hit after hit. His 40 No. 1 hits on the Billboard charts was a record that held firm for years until George Strait broke it. From “Hello Darlin” to “Don’t Take It Away,” and all the way through to “She’s Got A Single Thing In Mind,” Twitty was the perfect example of the word evolution.
By the end of the 1970s, punk and new wave pushed country rock out of the pop charts and the media limelight. The 1980s saw a resurgence of the genre, more geared to rockabilly force than folk and country balladry. Christened “roots rock,” it yielded underground champions like Nashville’s Jason and the Scorchers, ultimately manifesting itself in the mainstream work of Bruce Springsteen, John Mellencamp, and others. Also by the end of that decade, country music in Nashville had begun to adapt some of the riskier guitar tones and rhythms for its less traditional artists. Elsewhere a new wave of young country rockers, notably Son Volt and Wilco, lumped together under the banner “alternative country” in the 1990s, tried to resurrect the less glitzy side of the movement. But country rock in the most popular sense became a period style, left to evoke the 1970s, a time when artists dressed up deep aesthetic and personal concerns in music that only sounded soft.
Lucien Poirier, ed. (1983). Répertoire bibliographique de textes de presentation generale et d'analyse d'oeuvres musicales canadienne, 1900–1980 = Canadian Musical Works, 1900–1980: a Bibliography of General and Analytical Sources. Under the direction of Lucien Poirier; compiled by Chantal Bergeron [et al.]. Canadian Association of Music Libraries. ISBN 0-9690583-2-2
The U.S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music", based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum. Historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929, and the Knoxville sessions of 1929 and 1930. In addition, the Mountain City Fiddlers Convention, held in 1925, helped to inspire modern country music. Before these, pioneer settlers, in the Great Smoky Mountains region, had developed a rich musical heritage.
Chad Morgan, who began recording in the 1950s, has represented a vaudeville style of comic Australian country; Frank Ifield achieved considerable success in the early 1960s, especially in the UK Singles Charts and Reg Lindsay was one of the first Australians to perform at Nashville's Grand Ole Opry in 1974. Eric Bogle's 1972 folk lament to the Gallipoli Campaign "And the Band Played Waltzing Matilda" recalled the British and Irish origins of Australian folk-country. Singer-songwriter Paul Kelly, whose music style straddles folk, rock and country, is often described as the poet laureate of Australian music.
These early styles had coalesced into a genre by the time the Illinois group Uncle Tupelo released their influential debut album No Depression in 1990. The album is widely credited as being the first "alternative country" album, and inspired the name of No Depression magazine, which exclusively covered the new genre. Following Uncle Tupelo's disbanding in 1994, its members formed two significant bands in genre: Wilco and Son Volt. Although Wilco's sound had moved away from country and towards indie rock by the time they released their critically acclaimed album Yankee Hotel Foxtrot in 2002, they have continued to be an influence on later alt-country artists.
Country influences combined with Punk rock and alternative rock to forge the "cowpunk" scene in Southern California during the 1980s, which included bands such as The Long Ryders, Lone Justice and The Beat Farmers, as well as the established punk group X, whose music had begun to include country and rockabilly influences. Simultaneously, a generation of diverse country artists outside of California emerged that rejected the perceived cultural and musical conservatism associated with Nashville's mainstream country musicians in favor of more countercultural outlaw country and the folk singer-songwriter traditions of artists such as Woody Guthrie, Gram Parsons and Bob Dylan.
Country music often consists of ballads and dance tunes with generally simple forms, folk lyrics, and harmonies mostly accompanied by string instruments such as banjos, electric and acoustic guitars, steel guitars (such as pedal steels and dobros), and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history.
A diminished CBC comes at a great loss to the Canadian music community. For musicians, regardless of genre, there is no media outlet that will provide them the same coverage and audience reach as the CBC. For music fans, it could mean hearing far less homegrown talent at a time when Canada is creating more noteworthy music than ever. Canada has long had a reputation for punching above its weight with regards to exporting music, and the CBC has been a very big part of that success over the decades.
Canadian music changed course in the 1980s and 1990s, the changing fast-paced culture was accompanied by an explosion in youth culture. Until the mid-1960s, little attention was paid to music by Canadian daily newspapers except as news or novelty. With the introduction during the late 1970s of the "Music critic", coverage began to rival that of any other topic. Canadian publications devoted to all styles of music either exclusively or in tandem with more general editorial content directed to young readers, was expanding exponentially.
Country music was aided by the U.S. Federal Communications Commission's (FCC) Docket 80–90, which led to a significant expansion of FM radio in the 1980s by adding numerous higher-fidelity FM signals to rural and suburban areas. At this point, country music was mainly heard on rural AM radio stations; the expansion of FM was particularly helpful to country music, which migrated to FM from the AM band as AM became overcome by talk radio (the country music stations that stayed on AM developed the classic country format for the AM audience). At the same time, beautiful music stations already in rural areas began abandoning the format (leading to its effective demise) to adopt country music as well. This wider availability of country music led to producers seeking to polish their product for a wider audience. In 1990, Billboard, which had published a country music chart since the 1940s, changed the methodology it used to compile the chart: singles sales were removed from the methodology, and only airplay on country radio determined a song's place on the chart.
Just as Loretta Lynn sang about female empowerment in the 1960s, so did Tammy Wynette. The one-time hairdresser turned her marital strife into musical gold via such classics as “Apartment # 9,” “D-I-V-O-R-C-E,” and “Stand By Your Man” –- and that was before she married George Jones. No other female singer sang about heartbreak with as much conviction and power -- influencing generations to come in the process.
The Great Migration of Canada from 1815 to 1850, consisting largely of Irish, British and Scottish immigrants, broadened considerably the Canadian musical culture. 1844, Samuel Nordheimer (1824–1912) opened a music store in Toronto selling pianos and soon thereafter began to publish engraved sheet music. Samuel Nordheimers store was among the first and the largest specialized music publisher in the Province of Canada. They initially had the sole right to publish copies of Alexander Muir's "The Maple Leaf Forever" that for many years served as an unofficial Canadian national anthem.
Over the past few decades, alternative country music has served as a more exciting option for fans of country music who aren't excited about what the mainstream has to offer. Alt country bands fuse together genres outside of traditional music to create a more diverse sound that retains its country roots, but at the same time, isn't exactly like what's going on. These bands have managed win over fans of other brands of alternative music because of their originality and the accessibility to their sound.
With her Grammy-adorned breakout solo LP, Ingénue, k.d. lang transformed from a country traditionalist to an impressionistic pop crooner, draping her dazzling mezzo-soprano over samba rhythms ("Miss Chatelaine"), oceanic cabaret-jazz ("Save Me") and breezy orchestrations from collaborator Ben Mink ("The Mind of Love"). No longer chasing the ghost of Patsy Cline, she pursued unique stylistic combinations—imbuing her formative "torch and twang" with a tapestry of colors: accordion, viola, marimba, the tropical-flavored pedal-steel of session master Greg Leisz. The album is best remembered, and summarized, by the lonesome yearning of hit single "Constant Craving." "Always someone marches brave / Here beneath my skin," Lang sings. Two decades later, she's still marching bravely—still shifting her sound with each song cycle. But Ingénue remains her signature statement.—Ryan Reed
So, what are the best country rock bands? Any list of country rock bands has to include top names like the Eagles, Creedence Clearwater Revival, Zac Brown Band, Bob Dylan, The Doobie Brothers and The Band. These bands are closely associated with country rock and with good reason. They exemplify the fine line between rock music and country music and have managed to fuse the two to create a genre that's become popular in the generations since those early days. Even when new country rock bands come on to the scene, these classic bands have proven their place in rock history by writing hit songs that audiences can't get enough of.
Country music has been growing as an art from since Eck Robertson’s recording of “Arkansas Traveler” in 1922. From the days of 78 RPM vinyl to digital downloads, fans continue to flock to the format. So who are the 25 greatest country artists of all time? That list might very well be subject to conjecture as the definition of country, but here are the acts that have made an immeasurable mark on the genre. In compiling this list, we took into consideration sales, airplay, and influence upon the genre -- and outside of it. Let the debates commence! https://www.youtube.com/watch?v=JhZnhUiU448