Raised at the junction of Big Joe Turner, ‘50s rock and tavern country (slightly sleeker, ice clinking division), Dave Alvin left the Blasters on two bald tires with the hammer down. “Romeo’s Escape” thrashed and churned, Stratocaster stinging and drums hard-pounding down as Alvin’s oaken crag of a voice shook with fury. The lean, but unrepentant Hank Williams’ homage “Long White Cadillac,” all wristy downstroke, fulk-throttled moan and high hat slam, would eventually hit #1 for Dwight Yoakam, as the driving grind of accusation and betrayal “New Tattoo” would become a low end stripper with brio anthem with its lacerating guitar and swollen bass. Somewhere between Steinbeck and Bukowski, Alvin mined have-nots’ seediness without making them cheap: “Jubilee Train” worked jackhammer-rhythmed salvation, “Border Radio” was Mexican-tinged Haggard and “Fourth of July” swept yearning across an evaporated love trying to find a spark.—Holly Gleason
By the end of World War II, "mountaineer" string band music known as bluegrass had emerged when Bill Monroe joined with Lester Flatt and Earl Scruggs, introduced by Roy Acuff at the Grand Ole Opry. That was the ordination of bluegrass music and how Bill Monroe became to be known as the "Father of Country Music." Gospel music, too, remained a popular component of bluegrass and other sorts of country music. Red Foley, the biggest country star following World War II, had one of the first million-selling gospel hits ("Peace in the Valley") and also sang boogie, blues and rockabilly. In the post-war period, country music was called "folk" in the trades, and "hillbilly" within the industry.[46] In 1944, The Billboard replaced the term "hillbilly" with "folk songs and blues," and switched to "country" or "country and Western" in 1949.[47][48]
While rappers like Dream Warriors and K-os were underground upstarts in the 90s to early 2000s, no Canadian artist was able to achieve mainstream popularity until former child-actor-turned-rapper, Drake, put Canada on the hip-hop map – becoming one of the biggest-selling and influential rap stars in the world. From co-founding Canadian record label OVO (October’s Very Own) Sound to coining the city’s unofficial nickname, “The 6”, Drake is Canada’s biggest hypeman. Not only did he use the CN Tower for his Views album art, he even has a tattoo of the iconic Toronto landmark on his arm and helped to introduce fellow Canadian, The Weeknd, to the rest of the world.
Canada's music industry is the sixth largest in the world, producing many internationally renowned artists.[6] Canada has developed a music infrastructure, that includes church halls, chamber halls, conservatories, academies, performing arts centres, record companies, radio stations and television music video channels.[7][8] Canada's music broadcasting is regulated by the Canadian Radio-television and Telecommunications Commission (CRTC).[7][8] The Canadian Academy of Recording Arts and Sciences administers Canada's music industry awards, the Juno Awards, which first commenced in 1970.

So, with so many great alt country bands out there, who can be called the best alt country band? One of the widely recognized originators of alternative country music is Uncle Tupelo. Though the group no longer exists, they are considered one of the most important alternative country artists because of their derivative bands, Wilco and Son Volt, both of which are considered some of the best alternative country bands. Other widely acclaimed alt country bands include Ryan Adams, Drive-by Truckers, Steve Earle and Band of Horses.
Not a bad list but where is Steppenwolf and Weeknd? Drake should be much higher on this list. He will easily go down as the most popular and talented artist in Canadian history despite what the critics (tradiitonal people) here might say. He is one of the only Canadian artists who has literally changed the landscape and direction of pop music and hiphop music. No other artist on this list did that on a grand scale

Twain parlayed her movie-star looks into becoming one of the most popular female vocalists of the video age -– a la such clips as “Any Man of Mine” and “I’m Gonna Getcha Good.” It also helped that (along with former husband/producer Mutt Lange) she created some of the most intriguing music of the time period, along with some mind-bending arrangements that fused country with rock as seamlessly as anyone had ever done.
A diminished CBC comes at a great loss to the Canadian music community. For musicians, regardless of genre, there is no media outlet that will provide them the same coverage and audience reach as the CBC. For music fans, it could mean hearing far less homegrown talent at a time when Canada is creating more noteworthy music than ever. Canada has long had a reputation for punching above its weight with regards to exporting music, and the CBC has been a very big part of that success over the decades.
Country music has enjoyed mainstream exposure and success throughout the '60s and '70s in the United Kingdom. However, this somewhat diminished in the '90s and 2000s. Though, there have been exceptions such as Garth Brooks and Shania Twain in the '90s (particularly the latter) and Taylor Swift, Carrie Underwood, Lady Antebellum and the Dixie Chicks in the 2000s. Crossover hits (in terms of singles and albums) within the country genre are few and far between and have been since the '80s. There are some British country music acts and publications. Although radio stations devoted to country are among the most popular in other Anglophone nations, none of the top 10 most-listened-to stations in the UK are country stations, and national broadcaster BBC Radio does not offer a full-time country station (BBC Radio 2 Country, a "pop-up" station, operated four days each year between 2015 and 2017). The BBC does offer a country show on BBC Radio 2 each week hosted by Bob Harris.[122] UK Country music is overseen by the British Country Music Association.
Vernon Dalhart was the first country singer to have a nationwide hit in May 1924 with "Wreck of the Old 97".[27][28] The flip side of the record was "Lonesome Road Blues", which also became very popular.[29] In April 1924, "Aunt" Samantha Bumgarner and Eva Davis became the first female musicians to record and release country songs.[30] Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the decade[19] and into the 1930s. Other important early recording artists were Riley Puckett, Don Richardson, Fiddlin' John Carson, Uncle Dave Macon, Al Hopkins, Ernest V. Stoneman, Blind Alfred Reed, Charlie Poole and the North Carolina Ramblers and The Skillet Lickers.[31] The steel guitar entered country music as early as 1922, when Jimmie Tarlton met famed Hawaiian guitarist Frank Ferera on the West Coast.[32]

Country music has been growing as an art from since Eck Robertson’s recording of “Arkansas Traveler” in 1922. From the days of 78 RPM vinyl to digital downloads, fans continue to flock to the format. So who are the 25 greatest country artists of all time? That list might very well be subject to conjecture as the definition of country, but here are the acts that have made an immeasurable mark on the genre. In compiling this list, we took into consideration sales, airplay, and influence upon the genre -- and outside of it. Let the debates commence!
Vernon Dalhart was the first country singer to have a nationwide hit in May 1924 with "Wreck of the Old 97".[27][28] The flip side of the record was "Lonesome Road Blues", which also became very popular.[29] In April 1924, "Aunt" Samantha Bumgarner and Eva Davis became the first female musicians to record and release country songs.[30] Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the decade[19] and into the 1930s. Other important early recording artists were Riley Puckett, Don Richardson, Fiddlin' John Carson, Uncle Dave Macon, Al Hopkins, Ernest V. Stoneman, Blind Alfred Reed, Charlie Poole and the North Carolina Ramblers and The Skillet Lickers.[31] The steel guitar entered country music as early as 1922, when Jimmie Tarlton met famed Hawaiian guitarist Frank Ferera on the West Coast.[32]

Alternative Country refers to country bands that play traditional country but bend the rules slightly. They don't conform to Nashville's hitmaking traditions, nor do they follow the accepted "outlaw" route to notoriety. Instead, alternative country bands work outside of the country industry's spotlight, frequently subverting musical traditions with singer/songwriter and rock & roll lyrical (and musical) aesthetics.
The first commercial recordings of what was considered instrumental music in the traditional country style were "Arkansas Traveler" and "Turkey in the Straw" by fiddlers Henry Gilliland & A.C. (Eck) Robertson on June 30, 1922, for Victor Records and released in April 1923.[23][24] Columbia Records began issuing records with "hillbilly" music (series 15000D "Old Familiar Tunes") as early as 1924.[18]
On the surface, the definition of country rock should be relatively simple. When people think of country rock music and country rock songs, they imagine country singers making the dreaded switch to play rock music. However, many of the best country bands made the switch from rock to play country-infused rock songs, thus the name of country rock. Bands would record using a pedal steel, sing about themes commonly associated with country and by the beginning of the 1970s, country rock became a genre that became popular in the mainstream.
I agree with you about Blundell but still think his firing marked the beginning of the end for the station in many ways. They couldn't maintain an identity after that. The song selection had been bad for years but seemed to get even worse. Indie 88 came about around that time I think....can't remember the timing, but I think a lot of people just stopped listening.
CALLING ME HOME: GRAM PARSONS AND THE ROOTS OF COUNTRY ROCK differs from any other biography of the musician's life and times, choosing to focus on the extent of his career, his strong influence that led to his being named the 'father of country rock', and the influences he had upon associates and the music world as a whole, from Elvis Costello and Patty Griffin to Emmylou Harris.
From the opening song, which finds Steve doing his best Dylan impersonation in calling for the spirits of Woody Guthrie and Jesus to return and scour the land free of crooked politicians, to the last song, “Fort Worth Blues,” which finds Steve spinning a heartbreaking tale of wanderlust and an unnameable malaise, El Corazon shot like a bullet to my heart. Earle slides effortlessly between folk, Neil Young-like guitar anthems, country weepers, bluegrass workouts and bone-crunching rock ‘n’ roll. And throughout he writes brilliantly, offering up story songs with remarkable economy, using not a single wasted word.—Andy Whitman
In the Philippines, country music has found their way into Cordilleran way of life, which often compared Igorot way of life to the American cowboys. Baguio City has a FM station that caters to country music, DZWR 99.9 Country, which is part of the Catholic Media Network. And Bombo Radyo Baguio has a segment on its Sunday slot for Igorot, Ilocano and country music.

The U.S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music",[8] based on the historic Bristol recording sessions of 1927.[9][10][11] Since 2014, the city has been home to the Birthplace of Country Music Museum.[12][13] Historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929,[14][15] and the Knoxville sessions of 1929 and 1930.[16] In addition, the Mountain City Fiddlers Convention, held in 1925, helped to inspire modern country music. Before these, pioneer settlers, in the Great Smoky Mountains region, had developed a rich musical heritage.[17]
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