If there has ever been a manual on how to build a career, Kenny Chesney would be its case study. He started slow -- earning his first top 10 hit in 1995 -- but by the early part of the next decade, Chesney was in the fast lane. He hasn't pulled over since. His records run the gamut from tropical-based hits as "No Shoes, No Shirt, No Problems" to thought-provoking slices of life as "When I Close My Eyes" or "Don't Blink." Whether it's on record or his stage show, nobody works harder than Kenny Chesney.
The Tamworth Country Music Festival began in 1973 and now attracts up to 100,000 visitors annually. Held in Tamworth, New South Wales (country music capital of Australia), it celebrates the culture and heritage of Australian country music. During the festival the CMAA holds the Country Music Awards of Australia ceremony awarding the Golden Guitar trophies. Other significant country music festivals include the Whittlesea Country Music Festival (near Melbourne) and the Mildura Country Music Festival for "independent" performers during October, and the Canberra Country Music Festival held in the national capital during November.
Derived from the traditional Western and honky tonk musical styles of the late 1950s and 1960s, including Ray Price (whose band, the "Cherokee Cowboys", included Willie Nelson and Roger Miller) and mixed with the anger of an alienated subculture of the nation during the period, outlaw country revolutionized the genre of country music. "After I left Nashville (the early 70s), I wanted to relax and play the music that I wanted to play, and just stay around Texas, maybe Oklahoma. Waylon and I had that outlaw image going, and when it caught on at colleges and we started selling records, we were O.K. The whole outlaw thing, it had nothing to do with the music, it was something that got written in an article, and the young people said, 'Well, that's pretty cool.' And started listening." (Willie Nelson) The term outlaw country is traditionally associated with Willie Nelson, Jerry Jeff Walker, Hank Williams, Jr., Merle Haggard, Waylon Jennings, Joe Ely, Steve Young, David Allan Coe, John Prine, Billy Joe Shaver, Gary Stewart, Townes Van Zandt, Kris Kristofferson, Michael Martin Murphey, Tompall Glaser, Steve Earle, and the later career renaissance of Johnny Cash, with a few female vocalists such as Jessi Colter, Sammi Smith, Tanya Tucker and Rosanne Cash. It was encapsulated in the 1976 album Wanted! The Outlaws.
So, with so many great alt country bands out there, who can be called the best alt country band? One of the widely recognized originators of alternative country music is Uncle Tupelo. Though the group no longer exists, they are considered one of the most important alternative country artists because of their derivative bands, Wilco and Son Volt, both of which are considered some of the best alternative country bands. Other widely acclaimed alt country bands include Ryan Adams, Drive-by Truckers, Steve Earle and Band of Horses.
In a recording career that spanned over six decades, "The Cherokee Cowboy" possessed a voice that never seemed to age. If anything, his warm crooning tone only got better with time. Price's early hits were textbook performances in the honky-tonk vein, while 1967's "Danny Boy" ushered in a more uptown vibe that he expanded on in hits such as Kris Kristofferson's "For The Good Times." Price also had a keen ear for other talent, giving early jobs to Willie Nelson and Roger Miller, among others.
Authoring a song that would launch almost a 100 covers, ‘Hallelujah’ is just a small sliver of Leonard Cohen’s immense contribution to music over the past five decades. The accomplished poet and novelist was the toast of the Montreal literary scene before he turned to music to become the foremost songwriter of his era. His meditations on love, faith, despair and politics could be conveyed in even the simplest of terms. Songs like ‘Suzanne’ and ‘Bird on the Wire’ and ‘Sisters of Mercy’ would cement his reputation as a in-demand folk songwriter, spawning hits for countless other artists, but no one could replace Cohen’s deep, resonant voice.
In 2005, country singer Carrie Underwood rose to fame as the winner of the fourth season of American Idol and has since become one of the most prominent recording artists of 2006 through 2016, with worldwide sales of more than 65 million records and seven Grammy Awards. With her first single, "Inside Your Heaven", Underwood became the only solo country artist to have a #1 hit on the Billboard Hot 100 chart in the 2000–2009 decade and also broke Billboard chart history as the first country music artist ever to debut at No. 1 on the Hot 100. Underwood's debut album, Some Hearts, became the best-selling solo female debut album in country music history, the fastest-selling debut country album in the history of the SoundScan era and the best-selling country album of the last 10 years, being ranked by Billboard as the #1 Country Album of the 2000–2009 decade. She has also become the female country artist with the most number one hits on the Billboard Hot Country Songs chart in the Nielsen SoundScan era (1991–present), having 14 No. 1s and breaking her own Guinness Book record of ten. In 2007, Underwood won the Grammy Award for Best New Artist, becoming only the second Country artist in history (and the first in a decade) to win it. She also made history by becoming the seventh woman to win Entertainer of the Year at the Academy of Country Music Awards, and the first woman in history to win the award twice, as well as twice consecutively. Time has listed Underwood as one of the 100 most influential people in the world. In 2016, Underwood topped the Country Airplay chart for the 15th time, becoming the female artist with most number ones on that chart.
If Cold Roses, his double-disc gatefold set, was Adams’ Exile on Main St., Jacksonville City Nights finds the singer back in his tear-stained Gram Parsons duds. As always, Adams does a smashing job recreating Parsons’ heartrending lyrical and tonal nuances—the strained crack in the voice, the sobbing plea, the sweet, melancholic sigh. He doesn’t so much return to his Whiskeytown roots here as he canters straight past them into sad-eyed, Bakersfield barroom shuffles. Add a touch of post-acid-test Grateful Dead acousticism plus Adams’ breathtaking lyrics and you got a modern C&W classic.—Paste Staff
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