Prior to the development of the gramophone, Canadian songwriters' works were published as sheet music, or in periodicals in local newspapers such as The Montreal Gazette and Toronto Empire. Most recordings purchased by Canadians in the early days of the gramophone were made by American and British performers, behind some of these international hits were Canadian songwriters. Robert Nathaniel Dett (1882–1943) was among the first Black Canadian composers during the early years of the American Society of Composers, Authors and Publishers. His works often appeared among the programs of William Marion Cook's New York syncopated Orchestra. Dett himself performed at Carnegie Hall and at the Boston Symphony Hall as a pianist and choir director. Following quickly on the gramophone's spread came Canada's involvement in the First World War. The war was the catalyst for the writing and recording of large numbers of Canadian-written popular songs, some of which achieved lasting international commercial success. The military during World War I produced official music such as regimental marches and songs as well as utilitarian bugle calls. The soldiers had a repertoire of their own, largely consisting of new, often ribald, lyrics to older tunes.
Country rock, the incorporation of musical elements and songwriting idioms from traditional country music into late 1960s and ’70s rock, usually pursued in Los Angeles. The style achieved its commercial zenith with the hits of the Eagles, Linda Ronstadt, and many other less consistent performers. Country rock arose from the conviction that the wellspring of rock and roll was the work of 1950s and ’60s regionalists such as Hank Williams, Johnny Cash, and George Jones, as well as, to some extent, that of the Carter Family and Flatt and Scruggs and other artists who had blossomed in local folk and bluegrass scenes before the establishment of the Nashville recording industry.
Country music often consists of ballads and dance tunes with generally simple forms, folk lyrics, and harmonies mostly accompanied by string instruments such as banjos, electric and acoustic guitars, steel guitars (such as pedal steels and dobros), and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history.
Hailed by Rolling Stone as “the most important record producer to emerge in the 80s”, Lanois is one of Canada’s distinguished producers-composers and has worked with the likes of Brian Eno (Apollo: Atmospheres And Soundtracks), Peter Gabriel, Bob Dylan, Emmyous Harris and is the man behind U2’s Joshua Tree and The Unforgettable Fire. In his famous studio in Hamilton, Ontario, he produced records for Canadian artists such as Martha and the Muffins and Ian and Sylvia. As a solo artist, the multi-instrumentalist and singer released a string of albums that featured his wonderfully atmospheric textures and poetic songwriting. https://www.youtube.com/watch?v=Sx8igsV3YgM
1958 saw its first Canadian rock and roll teen idol Paul Anka, who went to New York City where he auditioned for ABC with the song "Diana". This song brought Anka instant stardom as it reached number one on the US Billboard charts. "Diana" has gone on to be one of the best selling 45s in music history. US-born rockabilly pioneer Ronnie Hawkins moved to Canada in 1958, where he became a key player in the Canadian blues and rock scene. The 4th of October was declared "Ronnie Hawkins Day" by the city of Toronto when Hawkins was inducted into Canada's Walk of Fame. He was also inducted into the Canadian Music Industry Hall of Fame and his pioneering contribution to rockabilly has been recognized with induction into the Rockabilly Hall of Fame. https://www.youtube.com/watch?v=gtKVuwDQUl0