Twain parlayed her movie-star looks into becoming one of the most popular female vocalists of the video age -– a la such clips as “Any Man of Mine” and “I’m Gonna Getcha Good.” It also helped that (along with former husband/producer Mutt Lange) she created some of the most intriguing music of the time period, along with some mind-bending arrangements that fused country with rock as seamlessly as anyone had ever done.
Often compared to fellow Canadians, The Band, Blue Rodeo are a Canadian country-rock institution. Since forming in 1984, the Toronto-based quintet were a huge hit in Canada in the 90s thanks to their dynamic mix of American pop, country and blues and two-part harmonies reminiscent of the Everly Brothers. With a solid roots-rock sound and two-part harmonies, their 1990 album, Casino, did achieve some stateside success due in part to their hit single, ‘Til I Am Myself Again’. Since then, they’ve become one of Canada’s renowned legacy acts that tour worldwide.
With a name like The Tragically Hip, the bluesy-Canadian rock outfit sealed their fate by being cool to Canadian audiences but never cracking the US and world markets. They’ve been called “Canada’s R.E.M” (only by Americans, we suspect) for their clever lyricism and their roots-rock meets alt-country sound. With a staggering amount of hit songs and albums under their belt from the past 30 years, they are part of Canada’s cultural identity, so much so that when beloved frontmen Gord Downie performed his last concert with the band in 2016, 11.7 million Canadians tuned in to watch.
Artists from outside California who were associated with early alternative country included singer-songwriters such as Lucinda Williams, Lyle Lovett and Steve Earle, the Nashville country rock band Jason and the Scorchers and the British post-punk band The Mekons. Earle, in particular, was noted for his popularity with both country and college rock audiences: He promoted his 1986 debut album Guitar Town with a tour that saw him open for both country singer Dwight Yoakam and alternative rock band The Replacements.
There is the C2C: Country to Country festival held every year, and for many years there was a festival at Wembley Arena, which was broadcast on the BBC, the International Festivals of Country Music, promoted by Mervyn Conn, held at the venue between 1969 and 1991. The shows were later taken into Europe, and featured such stars as Johnny Cash, Dolly Parton, Tammy Wynette, David Allan Coe, Emmylou Harris, Boxcar Willie, Johnny Russell and Jerry Lee Lewis. A handful of country musicians had even greater success in mainstream UK music than they did in the US, despite a certain amount of disdain from the music press. The UK's largest music festival Glastonbury has featured major US country acts in recent years, such as Kenny Rogers in 2013 and Dolly Parton in 2014.
It was only a short, exhaustively well-rehearsed and well-recorded step away to the Eagles and Ronstadt (and Asylum Records). Their careers proved central to those of surrounding singer-songwriters like Jackson Browne, Karla Bonoff, and Warren Zevon, whose simultaneous countryesque confessions creatively fed both the band and the singer. For Ronstadt, country rock progressively gave way to a wide variety of other styles, always approached from the point of view of her American sources, always mounted with the painstaking studio finesse exemplified by producer Peter Asher. For the Eagles, working first with the English producer Glyn Johns and later with Bill Szymczyk, the style became so full-blown that the band’s multimillion-selling album Hotel California (1976) both dramatized the Los Angeles milieu that underpinned the country-Hollywood connection and reflected the growing significance of the symbolism of country rock. Surrounding these careers were a number of other key figures. In addition to founding the influential Flying Burrito Brothers, Parsons introduced former folksinger Emmylou Harris to the music of George Jones, spawning her pursuit of a vernacular vocal art of operatic seriousness and intensity. Neil Young, formerly of Buffalo Springfield, began the traditionalist part of a gnarled, varied body of music that grew into a stylistic cosmos of genius unto itself. Like the Dillards, who came to country rock from a bluegrass background, all three chose not to work as commercially as the Eagles, Ronstadt, or Poco, whose driving force, Richie Furay, was another former member of Buffalo Springfield. Instead they preferred to have their music felt over time in ways less direct and less oriented to mass culture.
The beginning of the 19th century Canadian musical ensembles had started forming in great numbers, writing waltzes, quadrilles, polkas and galops. The first volumes of music printed in Canada was the "Graduel romain" in 1800 followed by the "Union Harmony" in 1801. Folk music was still thriving, as recounted in the poem titled "A Canadian Boat Song". The poem was composed by the Irish poet Thomas Moore (1779–1852) during a visit to Canada in 1804. "The Canadian Boat Song" was so popular that it was published several times over the next forty years in Boston, New York City and Philadelphia. Dancing likewise was an extremely popular form of entertainment as noted In 1807 by the Scottish traveler and artist George Heriot (1759–1839), who wrote...
But that effectiveness won’t last. Because of funding cuts, the CBC has announced that in addition to the 657 jobs already cut, it will axe another 1,500 jobs by 2020. That is nearly a quarter of its employees. According to a CRTC report released in June 2015, parliamentary funding for CBC Radio, which accounts for virtually its entire budget, has shrunk nearly 20 per cent since 2010. We’ve already seen some of the fallout from this and its impact on the CBC’s music coverage. Following the first round of jobs cuts, Chris Boyce, executive director of Radio and Audio CBC English Services, said there will be cuts to recorded concerts and 12 regional music producers, hosts, and engineers lost their jobs. In addition, the In Tune classical music program was cancelled.
In Brazil, a musical genre known as música sertaneja, a very popular genre of music in Brazil, is very similar to American country music, sharing the music's rich history of development in the countryside. In South America, on the last weekend of September, the yearly San Pedro Country Music Festival takes place in the town of San Pedro, Argentina. The festival features bands from different places of Argentina, as well as international artists from Brazil, Uruguay, Chile, Peru and the United States.
With titles like “encyclopaedia of popular music” and a “roving troubadour”, this renowned Canadian folksinger is considered one of the country’s most talented and underrated songwriters. With a meticulous gift for lyricism and innovative folk style, Al Tuck came to prominence during the Halifax pop explosion of the mid-’90s. While originally from Prince Edward Island, Tuck is now considered one of Halifax’s own and is something of a musician’s musician, thanks to a stellar set of eight studio albums including his excellent early releases, Arhoolie and Brave Last Days.
Technically one-half Canadian, Rufus Wainwright is the progeny of Kate McGarrigle (one-half of the signing folk sensation The McGarrigle Sisters) and 60s folk sensation Loudon Wainwright III, along with his sister Martha. The Montreal native got his start singing on the Montreal club circuit before establishing himself as one of the preeminent singer-songwriters of his generation, with the voice of an opera-cum-lounge singer. Even since relocating to the US, he’ll always be “Montreal’s Son”.
The Kentucky band’s sprawling major-label debut did nothing to alter the independent spirit of singer-songwriter Jim James and his cohorts. The country-rock base retained elements of Memphis soul, classic ’70s rock and neo-psychedelic sounds, all drenched in salubrious washes of reverb. Besides, nothing says complete artistic freedom like 12 songs that average six minutes in length, many of which were recorded in a grain silo to give the reverb more reverb. Styles mix wantonly, songs meander but never go quite where you expect them to. What begins as an acoustic-driven folk song (“Magheeta”) morphs into a hard-rocking power ballad; a funkified homage to R&B clubs (“Dance Floors”) becomes an Exile on Main Street-era block party, powered by a propulsive horn section straight out of “Tumbling Dice”; and the minor-key melancholia of Neil Young’s Crazy Horse epics (think “Cortez the Killer”) forms the backbone of “Run Through” until it mutates at the chorus into the early ’80s Manchester sound reminiscent of New Order. Is it alt-country? That’s as good a descriptor as anything else.—John Schact https://www.youtube.com/watch?v=r66QCpscnTA