Funding for Country Music was provided by Bank of America, the Annenberg Foundation, the Arthur Vining Davis Foundations, Belmont University, Tennessee Department of Tourist Development, the Metropolitan Government of Nashville and Davidson County, Rosalind P. Walter and by members of ‘The Better Angels Society,’ including: The Blavatnik Family Foundation, the Schwartz/Reisman Foundation, the Pfeil Foundation, Diane and Hal Brierley, John and Catherine Debs, the Fullerton Family Charitable Fund, the Perry and Donna Golkin Family Foundation, Jay Alix and Una Jackman, Mercedes T. Bass, Fred and Donna Seigel, Gilchrist and Amy Berg, James R. Berdell Foundation, David Bonderman, Deborah P. and Jonathan T. Dawson, Senator Bill and Tracy Frist, Susan and David Kreisman, Rocco and Debby Landesman, Lillian Lovelace, John and Leslie McQuown, Mindy's Hope Foundation, the Segal Family Foundation, Michelle Smith. Major funding was provided by the Corporation for Public Broadcasting and PBS.
Country music has enjoyed mainstream exposure and success throughout the '60s and '70s in the United Kingdom. However, this somewhat diminished in the '90s and 2000s. Though, there have been exceptions such as Garth Brooks and Shania Twain in the '90s (particularly the latter) and Taylor Swift, Carrie Underwood, Lady Antebellum and the Dixie Chicks in the 2000s. Crossover hits (in terms of singles and albums) within the country genre are few and far between and have been since the '80s. There are some British country music acts and publications. Although radio stations devoted to country are among the most popular in other Anglophone nations, none of the top 10 most-listened-to stations in the UK are country stations, and national broadcaster BBC Radio does not offer a full-time country station (BBC Radio 2 Country, a "pop-up" station, operated four days each year between 2015 and 2017). The BBC does offer a country show on BBC Radio 2 each week hosted by Bob Harris. UK Country music is overseen by the British Country Music Association.
Historically, music was composed in Canada's colonies and settlements during the 18th century, although very few popular named works have survived or were even published. The French and Indian Wars began and left the population economically drained and ill-equipped to develop cultural pursuits properly. The part-time composers of this period were nonetheless often quite skilled. Traditional songs and dances, such as those of the Habitants and Métis, were transmitted orally, from generation to generation and from village to village, thus people felt no need to transcribe or publish them. Printed music was required, for music teachers and their pupils, who were from the privileged minority where domestic music making was considered a proof of gentility. Music publishing and printing in Europe by this time was a thriving industry, but it did not begin in Canada until the 19th century. Canadian composers were not able to focus entirely on creating new music in these years, as most made their living in other musical activities such as leading choirs, church organists and teaching. Regimental bands were musically a part of civil life and typically featured a dozen woodwind and brass instruments, performing at parades, festive ceremonies, minuets, country dances and balls.
Breaking through in the traditional era of the 1960s, Lynn was anything but conventional. She wrote and performed songs that were very much different from the other women of the time. Hits like “Don’t Come Home A’Drinkin” and “The Pill” spoke to a generation that was going through the same exact thing. Her success with a more feisty approach led to her becoming the first female winner of the CMA’s Entertainer of the Year award -– as well as the cover of Newsweek -- and her influence can still be heard today from such artists as Miranda Lambert and Kacey Musgraves.
Not a bad list but where is Steppenwolf and Weeknd? Drake should be much higher on this list. He will easily go down as the most popular and talented artist in Canadian history despite what the critics (tradiitonal people) here might say. He is one of the only Canadian artists who has literally changed the landscape and direction of pop music and hiphop music. No other artist on this list did that on a grand scale
Though his father was one of the first major superstars of the genre, Hank Williams, Jr. marches to the beat of his own drummer. Much of his early hit output was in a traditional style, such as 1972’s “Eleven Roses,” but it was later southern rock-inspired hits such as “Family Tradition” and “Women I’ve Never Had” that proved that Junior was in a league of his own. Also adding to his legend was his stage show, which inspired a generation -- including Garth Brooks. https://www.youtube.com/watch?v=a1tqAmvaoyE