Country music has been growing as an art from since Eck Robertson’s recording of “Arkansas Traveler” in 1922. From the days of 78 RPM vinyl to digital downloads, fans continue to flock to the format. So who are the 25 greatest country artists of all time? That list might very well be subject to conjecture as the definition of country, but here are the acts that have made an immeasurable mark on the genre. In compiling this list, we took into consideration sales, airplay, and influence upon the genre -- and outside of it. Let the debates commence! https://www.youtube.com/watch?v=JhZnhUiU448
Country rock was a particularly popular style in the California music scene of the late 1960s, and was adopted by bands including Hearts and Flowers, Poco (formed by Richie Furay and Jim Messina, formerly of the Buffalo Springfield) and New Riders of the Purple Sage. Some folk-rockers followed the Byrds into the genre, among them the Beau Brummels and the Nitty Gritty Dirt Band. A number of performers also enjoyed a renaissance by adopting country sounds, including: the Beatles, who re-explored elements of country in their later albums, like "Rocky Raccoon" and "Don't Pass Me By" from their eponymous "White Album" (1968), and "Octopus's Garden" from Abbey Road (1969); the Everly Brothers, whose Roots album (1968) is usually considered some of their finest work; former teen idol Ricky Nelson who became the frontman for the Stone Canyon Band; John Fogerty, who left Creedence Clearwater Revival behind for the country sounds of the Blue Ridge Rangers(1972); Mike Nesmith, who had experimented with country sounds while with the Monkees, formed the First National Band; and Neil Young who moved in and out of the genre throughout his career. One of the few acts to successfully move from the country side towards rock were the bluegrass band the Dillards.
Quite possibly, no artist on this list manages to have the universal appeal of Willie Nelson. The legendary figure has been able to make believable his recordings of compositions from Lefty Frizzell, Irving Berlin and Paul Simon -– and sound authentic on each one. He qualifies as the ultimate curveball. You never know what to expect from him, only that it will find favor with the public.
In the 2010s, the alt-country genre saw an increase in its critical and commercial popularity, owing to the success of artists such as The Civil Wars, Chris Stapleton, Sturgill Simpson, Jason Isbell, Lydia Loveless and Margo Price. In 2019, Kacey Musgraves - a country artist who had gained a following with indie rock fans and music critics despite minimal airplay on country radio - won the Grammy Award for Album of the Year for her album Golden Hour.
By the late 1960s, Western music, in particular the cowboy ballad, was in decline. Relegated to the "country and Western" genre by marketing agencies, popular Western recording stars released albums to only moderate success. Rock-and-roll artists got hit songs, but Western artists also got country hits. The latter was largely limited to Buck Owens, Merle Haggard, and a few other bands. In the process, country and western music as a genre lost most of its southwestern, ranchera, and Tejano musical influences. However the cowboy ballad and honky-tonk music would be resurrected and reinterpreted in the 1970s with the growth in popularity of "outlaw country" music from Texas and Oklahoma.
The Governor General's Performing Arts Awards for Lifetime Artistic Achievement are the foremost honours presented for excellence in the performing arts, in the categories of dance, classical music, popular music, film, and radio and television broadcasting. They were initiated in 1992 by then Governor General Ray Hnatyshyn, and winners receive $25,000 and a medal struck by the Royal Canadian Mint.
Canada's first independent record label Compo Company built a pressing plant (the largest of its day) in 1918 at Lachine, Quebec. Compo was originally created to serve the several American independent record companies such as Okeh Records which wanted to distribute records in Canada. The 1920s saw Canada's first radio stations, this allowed Canadian songwriters to contribute some of the most famous popular music of the early 20th century. Canada's first commercial radio station CFCF (formerly XWA) begins broadcasting regularly scheduled programming in Montreal in 1920, followed by CKAC, Canada's first French language radio station, in 1922. By 1923, there were 34 radio stations in Canada and subsequently proliferated at a remarkable rate, and with them spread the popularity of jazz. Jazz became associated with all things modern, sophisticated, and also decadent.
Edward Balthasar Moogk (1975). Roll Back the Years: History of Canadian Recorded Sound and Its Legacy, Genesis to 1930. National Library of Canada. N.B.: In part, also, a bio-discography; the hardback ed. comes with a "phonodisc of historical Canadian recordings" (33 1/3 r.p.m., mono., 17 cm.) which the 1980 pbk. reprint lacks. ISBN 0-660-01382-7 (pbk.)
Australian country music has a long tradition. Influenced by American country music, it has developed a distinct style, shaped by British and Irish folk ballads and Australian bush balladeers like Henry Lawson and Banjo Paterson. Country instruments, including the guitar, banjo, fiddle and harmonica, create the distinctive sound of country music in Australia and accompany songs with strong storyline and memorable chorus.
Artists from outside California who were associated with early alternative country included singer-songwriters such as Lucinda Williams, Lyle Lovett and Steve Earle, the Nashville country rock band Jason and the Scorchers and the British post-punk band The Mekons. Earle, in particular, was noted for his popularity with both country and college rock audiences: He promoted his 1986 debut album Guitar Town with a tour that saw him open for both country singer Dwight Yoakam and alternative rock band The Replacements.
Rock and roll has usually been seen as a combination of rhythm and blues and country music, a fusion particularly evident in 1950s rockabilly. There has also been cross-pollination throughout the history of both genres; however, the term “country-rock” is used generally to refer to the wave of rock musicians of the late 1960s and early 1970s who began recording rock songs with country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars. John Einarson states, that "[f]rom a variety of perspectives and motivations, these musicians either played rock & roll attitude, or added a country feel to rock, or folk, or bluegrass, there was no formula".
Among the earliest musical societies were Halifax's "New Union Singing Society" of 1809 and Québec's "Harmonic Society" of 1820. One of the first registered all-civilian musical ensembles was a religious sect organized from Upper Canada called the Children of Peace in 1820. In 1833, a student orchestra was organized at the Séminaire de Québec the Société Ste-Cécile, as it was known, and was one of the earliest ensembles of its kind in Lower Canada. The first appearance of a piece of music in a newspaper or magazine was in the pages of the Montreal twice-weekly newspaper, La Minerve, on September 19, 1831. Many immigrants during this time lived in relative isolation and music sometimes obtained through subscriptions to newspapers and magazines, provided entertainment and a life line to civilization. One of the earliest surviving publications in Canada of a song on the piano in sheet music format is "The Merry Bells of England" by J.F. Lehmann, of Bytown (later Ottawa) in 1840.
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Folk songs sung in Australia between the 1780s and 1920s, based around such themes as the struggle against government tyranny, or the lives of bushrangers, swagmen, drovers, stockmen and shearers, continue to influence the genre. This strain of Australian country, with lyrics focusing on Australian subjects, is generally known as "bush music" or "bush band music". "Waltzing Matilda", often regarded as Australia's unofficial national anthem, is a quintessential Australian country song, influenced more by British and Irish folk ballads than by American country and western music. The lyrics were composed by the poet Banjo Paterson in 1895. Other popular songs from this tradition include "The Wild Colonial Boy", "Click Go the Shears", "The Queensland Drover" and "The Dying Stockman". Later themes which endure to the present include the experiences of war, of droughts and flooding rains, of Aboriginality and of the railways and trucking routes which link Australia's vast distances. https://www.youtube.com/watch?v=Uj5JQNLFSgA